Israeli Fashion Takes Center Stage
If sabra chic once meant kibbutznik khaki, it certainly doesn’t today: Try sexy, innovative, sophisticated, multicultural—and infused with a quintessentially Israeli chutzpah.
Jewish Routes // Rhode Island
On August 18, 1790, George Washington paid a visit to Newport, Rhode Island, shortly after the state had ratified the United States Constitution, to meet with politicians, businessmen and clergy—including Moses Seixas, an official of Congregation Jeshuat Israel.
Remembering Elie Wiesel, 1928–2016
How did the Nobel laureate influence your life? We want to hear your stories.
Opinion // What Do We Mean By Jewish Continuity?
We all want Jewish grandchildren—but are we going about it the right way?
Book Review // Killing a King
The assassination of Prime Minister Yitzhak Rabin 20 years ago produced instant analysis of unusual accuracy. Typically, it takes decades for the air to clear enough for history to make a sound judgment, especially in the Middle East. But when Rabin was shot in the back in November 1995, the Israelis of various camps who either mourned or celebrated what they thought the murder meant for their country turned out to be exactly right.
Speaking Volumes // Austin Ratner on E.L. Doctorow
Many writers seem daunted by the autobiographical novel—ashamed to write of themselves, as if that were either self-indulgence or exploitation. And of course with James Joyce and A Portrait of the Artist as a Young Man as a paragon, many do not even dare to try. But Joyce didn’t frighten off E.L. Doctorow, who mined his own Depression-era childhood in New York for the 1986 National Book Award-winning World’s Fair.
The Other “Woman in Gold”
In August 1903, a 22-year-old Viennese Jewish socialite by the name of Adele Bloch-Bauer wrote to a friend that the renowned Austrian painter Gustav Klimt had agreed to paint her portrait. It was to be a commission from her husband, sugar industrialist Ferdinand Bloch-Bauer. The cost, according to Anne-Marie O’Connor’s book The Lady in Gold, was considerable—4,000 crowns at the time, or about a “quarter of the price of a well-appointed country villa.” Klimt could not start the portrait until winter, so it wasn’t until December that the young Adele ventured to his studio to sit for the portrait.
Opinion // Are You For Us or Against Us?
There is only one right way to support Israel and be Jewish today. By Naomi Ragen