The stories that David de Jong first reported for Bloomberg News and now recounts in his book Nazi Billionaires document the sordid embrace of the Nazi regime by Germany’s wealthiest industrial dynasties and those dynasties’ continued prosperity today.
The latest cycle of public panic over book-banning—as distinct from the constant, threatening drumbeat of book-banning itself—kicked off last January when The New York Times reported that a school board in McMinn County, Tennessee, had withdrawn Art Spiegelman’s graphic novel/memoir Maus: A Survivor’s Tale from the eighth-grade Holocaust education curriculum.
Robert Pinsky’s father, an Orthodox Jewish optician in Long Branch, New Jersey, liked to sum up success stories with a favorite phrase: “It all worked out okay.”
When the ancient rabbis had a question about the Torah—an important detail that seemed to be missing, an inconsistency between two passages, even a redundant word or verse—they would often solve the problem by writing a midrash, or story, filling in the missing piece or reconciling the seeming contradiction.
When 41-year-old American novelist Joshua Cohen won the Pulitzer Prize in Fiction last week for his semi-roman à clef, The Netanyahus, the first question occurring to close observers of Israeli culture and politics wasn’t “Is it good for the Jews?” but “How bad is it for Bibi and the family brand?”