Author Interview // Mark Helprin
Much like the swashbuckling heroes of his popular novels, author Mark Helprin has led a life of great adventure. As a young man, Helprin served in the Israeli army, the Israeli air force and the British merchant navy, and he’s earned his living as an agricultural laborer, a factory worker, a military adviser, a Wall Street Journal columnist, a political speechwriter and much more.
Book Review // Heretics
Leonardo Padura’s Heretics is a remarkable book. Padura, who is certainly the most prominent of a small number of Jewish Cuban authors, might also be the most famous writer in Cuba today. Best known in this country for his Inspector Mario Conde detective series...
Michael Chabon: A Life of Fact & Fiction
A conversation with novelist Michael Chabon can easily jump from Michael Jackson song lyrics to the history of spaceships. And while his love of all things quixotic can be a lot to digest, his intellectual openness and curiosity have resulted in a compelling and innovative body of work.
Moment Fiction // Cuba
1936: He has been called “distinguished gentleman” and “filthy Jew”; the former is better, of course. Turn by turn he has been treated with civility or contempt.
Book Review // A Horse Walks Into a Bar
The earliest comedy I remember with any clarity was created by a famous tragic clown, a circus performer whose painted mouth was perpetually turned down in a frown. Left out of the spotlight, he carried a sledgehammer and ran after the other clowns who wouldn’t have anything to do with him.
Vanished Jews of Hetta
In the second place-winning story from the Moment Magazine-Karma Foundation Short Fiction Contest, a Manhattan publicist returns to his sleepy Southern hometown and attempts to revitalize its Jewish life.
Speaking Volumes // Austin Ratner on E.L. Doctorow
Many writers seem daunted by the autobiographical novel—ashamed to write of themselves, as if that were either self-indulgence or exploitation. And of course with James Joyce and A Portrait of the Artist as a Young Man as a paragon, many do not even dare to try. But Joyce didn’t frighten off E.L. Doctorow, who mined his own Depression-era childhood in New York for the 1986 National Book Award-winning World’s Fair.
Anita Diamant & Dara Horn: In Conversation
We live in the era of Jewish historical fiction. Hundreds of novels set at some point in the long Jewish past have been published in recent years, some based on biblical stories or Jewish folk tales, others built around major historical figures. The phenomenon shows no sign of slowing, with readers continuing to greedily devour historical fiction, and writers delighted to feed their addiction.
Fiction // Killing Brother Michael
Leib’s brother was named Michael, after Michael Faraday, creator of the balloon and author of the work The Chemical History of the Candle. Faraday was a prominent chemist and physicist during the mid-1800s, and Leib’s father—a balloonist during the week, an aspiring inventor on weekends—found Mr. Faraday’s biography and rubbery inventions encouraging in both his personal and professional life.
Fiction // Lecha Dodi
Lecha Dodi // According to tradition, Mordechai led the way. When the day was expiring, he emerged from his house in white garments. The cares of the working week fell away, and he prepared with discreet joy for the Sabbath. His hair, just visible under his head covering, would be moist from immersion in the ritual bath.
Book Review // An officer and a Spy
Be wary of historical fiction, especially if it’s good. It will forever mix up in your mind what actually happened, or what we can be fairly certain happened, with the inventions of playwrights and novelists, whose aim might be to draw a deeper meaning from events than mere facts can provide, but who do some violence to those puny facts.
Book Review // Trieste
Creating art from the events of the Holocaust remains as daunting as ever. Soon, those awful events will move beyond the reach of living memory while the need for testimony grows more pressing, not less. But the responsibilities of art are different from those of history: Theodor Adorno’s much-misrepresented dictum that “it is barbaric to write poetry after Auschwitz” can simply be used as a lazy shorthand for refusing to engage with difficult and challenging creations.