This article was originally published in the August 2006 issue of Moment.
Lately, I've been thinking about words—my words—those that may be a piece of me...
This article was originally published in the October 2005 issue of Moment.
It was Friday afternoon in Jerusalem. The Shabbat rush filled the aisles at my...
This article was originally published in the October 2006 issue of Moment.
My mother-in-law, Jeanne Singer, died in Jerusalem this summer, just four days after her...
This article was originally published in the February 2006 issue of Moment.
I'm astounded that 65 percent of American Jews have never visited Israel. Compare that...
This article was originally published in the February 2007 issue of Moment.
India, with 16 official languages and a population of more than a billion people...
This article was originally published in the April 2005 issue of Moment.
Some 20 years ago, Judith Viorst's bestseller 'Necessary Losses' seemed to me wise but,...
Throughout the Trump presidency, the summer of Black Lives Matter protests and the onset of the COVID-19 pandemic, when asked about the alarming degree of polarization and anger in politics, I would always offer by way of comparison a time when I thought things had been worse: 1968.
Throughout the 20th century, Jews have always contributed to American popular music, from Irving Berlin to Carole King and beyond. But according to musician Joe Alterman, executive director of Neranenah Concert & Culture Series, the Jewishness of the music is defined by its story and not necessarily its melody. Part performance, part storytelling, Alterman, shares great American music with its fascinating Jewish stories woven in.